After cracking off the first hits that new supporters were clamoring for, Rocky showed that his live show had grown as well.Īn interface was set up between two big drum pads in the shape of toxic waste barrels in the centre of the smiley stage. Eight years later, the man, the music and the fashion have evolved, and a new generation of fans has followed. An infallible charisma held him together as someone that was sure to rise out of Harlem and into stadiums. The juxtaposition complimented his rap style that blended pitched-down, Houston-esqe flows with dense, Cam’ron-inspired rhyme schemes. When Rocky broke in 2011 with the A$AP Mob, he was lauded for his innovative, high fashion wardrobe seen in videos shot on the streets of Harlem. It was the best of times, it was the worst of times. Taking stage at Place Bell last Friday on a smiley face at the end of a catwalk, Rocky’s voice was unmistakable when he started rattling off his new hits, starting with his Skepta-starring smash “Praise The Lord.” “I take what’s mine, then take some more”Ī$AP Rocky looked like a fly dystopian bass fisherman in a red jumpsuit and yellow hooded Prada vest, with a crash-test dummy mask and Bred Jordan 1’s.
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